小說《簡·愛》著稱於世的英國女作家夏洛蒂·勃朗特，堪稱逆境成才的典範。她的的生命艱辛而又壯麗，像一朵傲放於風沙中的仙人掌花。以下是小編蒐集的名著《簡愛》經典語錄摘抄，僅供參考，希望對大家有所幫助。
名著《簡愛》經典語錄摘抄一
1、羅切斯特先生只准許我缺席一週，但我還沒有離開蓋茨黑德，一個月就已經過去了。
2、我希望葬禮後立即動身，喬治亞娜卻懇求我一直呆到她去倫敦，因為來這裡張羅姐姐的葬禮和解決家庭事務的吉卜森舅舅，終於邀請她上那兒了。
3、喬治亞娜害怕同伊麗莎單獨相處，說是情緒低沉時得不到她的同情；膽怯時得不到她的支援；收拾行裝時得不到她的幫助。
4、所以喬治亞娜軟弱無能、畏首畏尾、自私自利、怨天尤人，我都儘量忍受，併力盡所能替她做針線活，收拾衣裝。
5、我暗自思討道：“要是你我註定要一直共同生活，表姐，我們要重新處事，與以往全然不同。”
6、我不該乖乖地成為忍受的一方，而該把你的一份活兒分派給你，迫使你去完成，要不然就讓它留著不做。
7、我還該堅持讓你那慢條斯理、半真半假的訴苦嚥到你肚子裡去。
8、正是因為我們之間的關係十分短暫，偏又遇上特殊的憑弔期間，所以我才甘願忍耐和屈從。
9、我終於送別了喬治亞娜、可是現在卻輪到了伊麗莎要求我再呆一週了。
10、她說她的.計劃需要她全力以赴，因為就要動身去某個未知的目的地了。
11、思念就像河流般，滔滔不絕地流向大海，流向我的心房
12、喜歡你的笑容，喜歡靜靜的看著你，我的憂愁像雲一般一下子就飛去了
13、如果能用一輩子換你停留在我視線中我將毫不保留
14、誰說你作的菜難以下□？我會每天回家吃晚飯
15、天上有多少星光世間有多少女孩但天上只有一個月亮世間只有一個你
16、我愛你！如果有一天，我化作一杯黃土，這黃土上長出的春草也是為你而綠，這黃土上開出的花朵也是為你而豔。
17、自從和你相識以來，我平靜的心湖再也無法平靜了。你的芳姿，你的麗影，你的笑靨，使我難以忘懷，我已被你美妙的風姿深深吸引！
18、只要能常常和你見面，我就覺得快活；只要依偎著你嬌小的身軀，我就不會寂寞。
19、不要用溫柔的呼喚使我著迷，不要用婷婷的倩影使我心動，不要用含情的目光使我受盡苦刑。
20、我心裡有個小祕密你想不想知道？讓風悄悄告訴你，我喜歡你，真的好喜歡
21、脈脈之情如一溪春水。快刀難斬斷。無論我怎樣的努力，始終無法將那個嘴角含笑的倩影從我心中趕出去
22、你有權拒絕我的愛，但你不能蔑視我的愛，因為那是一顆真誠地為你跳動的心。
23、我告訴你：第一是我愛你，第二還是我愛你，第三仍是我愛你我愛你
24、你看到的，就是最真的我一種永無止盡的感動感動這世界有你與我這最美的存在
25、好好照顧自己我不想等到下輩子再來愛你
26、想你的心情實在沒辦法用一句話代替
27、總是想念著你，，雖然我們無法共同擁有每分每秒，
28、你就是我最困難時的那位永遠支援我的人
29、你可知我百年的孤寂只為你一人守候千夜的戀歌只為你一人而唱
30、這酒杯是甜蜜而悅人的，因為它曾碰過那知心人兒的櫻脣。
31、海可以枯，石可以爛，我對你的愛，永不會變。
32、我感到世界上的一切，全部屬於我了，因為你愛上了我。
33、誰說現在是冬天呢？當你在我身旁時，我感到百花齊放，鳥唱蟬鳴。
34、愛之火，在我倆的心中燃起，從此我倆將被熔在一塊。
35、你這個美麗可愛的小鳥，你要把我的心銜到什麼地方去呢？
36、真的，輸了你，贏了世界又如何
37、如果愛上你也算是一種錯，我深信這會是生命中最美麗的錯，我情願錯一輩子
38、或許我沒有太陽般狂熱的愛，也沒有流水般綿長的情，只知道不斷的愛你愛你無所□能的為你
39、看著微笑的你，突然發現，我真是世界上最幸福的人
40、假如可以的話，我願意花去生命中的每一分每一秒陪著你
名著《簡愛》經典語錄摘抄二
1) "I resisted all the way: a new thing for me." (Chapter 2).
Jane says this as Bessie is taking her to be locked in the red-room after she had fought back when John Reed struck her. For the first time Jane is asserting her rights, and this action leads to her eventually being sent to Lowood School.
2) "That night, on going to bed, I forgot to prepare in imagination the Barmecide supper, of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings. I feasted instead on the spectacle of ideal drawings, which I saw in the dark - all the work of my own hands." (Chapter 8).
Jane writes of this after she has become comfortable and has excelled at Lowood. She is no longer dwelling on the lack of food or other material things, but is more concerned with her expanding mind and what she can do.
3) "While I paced softly on, the last sound I expected to hear in so still a region, a laugh, struck my ears. It was a curious laugh - distinct, formal, mirthless. I stopped" (Chapter 11).
Jane hears this laugh on her first full day at Thornfield Hall. It is her first indication that something is going on there that she does not know about.
4) "Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags" (Chapter 12).
Jane thinks this as she looks out of the third story at the view from Thornfield, wishing she could see and interact with more of the world.
5) "The ease of his manner freed me from painful restraint; the friendly frankness, as correct as cordial, with which he treated me, drew me to him" (Chapter 15). Jane says this after Rochester has become friendlier with her after he has told her the story of Adele's mother. She is soon in love with him and goes on to say, "And was Mr. Rochester now ugly in my eyes? No, reader: gratitude and many associates, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire" (Chapter 15).
6) "I knew," he continued, "you would do me good in some way, at some time: I saw it in your eyes when I first beheld you; their expression and smile did ke delight to my inmost heart so for nothing" (Chapter 15)
After the fire Rochester tries to get Jane to stay with him longer and he says this to her. This is one of the reasons that Jane feels he fancies her.
7) "I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously revived, great and strong! He made me love him without looking at me" (Chapter 17).
Jane says this when she sees Rochester again after his absence. She had tried to talk herself out of loving him, but it was impossible. This is also an example of one of the times that Jane addresses the reader.
8) "In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight tell: it groveled, seemingly on all fours: it snatched and growled like some strange wild animal: but it was covered with clothing and a quantity of dark, grizzled hair wild as a mane, hid its head and face" (Chapter 26).
This is what Rochester, Mason, and Jane see when they return from the stopped wedding and go up to the third story. This is the first time Jane really sees Rochester's wife.
9) "Gentle reader, may you never feel what I then felt? May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers so hopeless and so agonized as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love" (Chapter 27).
Jane says this as she is quietly leaving Thornfield in the early morning. She knows that she is bringing grief upon herself and Rochester, but she knows she must leave.
10) "Reader, I married him."
This quote, the first sentence in the last chapter, shows another example of Jane addressing the reader, and ties up the end of the story. Jane is matter-of-fact in telling how things turned out.