摘 要
中華5千年的古老文化歷史，留給了我們無窮盡的文化資源。著名編導張繼鋼利用佛教文化中的觀音形象編創了舞蹈《千手觀音》博得了全世界觀眾的喜愛。本文從舞蹈的創作與表演兩方面入手，把《千手觀音》與張繼鋼以往創作的其他舞蹈作品進行比較，同時也分析了與高金榮舞蹈的不同之處和聾啞演員的精彩演出帶給觀眾的視覺享受。舞蹈不同於其他表演形式，它是1種最自然、最直觀的肢體語言的表達，聾啞演員們用她們的真誠震撼了觀眾。《千手觀音》不僅僅是1個單純的舞蹈，它帶來的是對舞蹈文化更大的推動，為以後的`舞蹈發展開闢了1條新的道路，將中國舞蹈藝術的質量和地位提到了1個更高的層次。
關鍵詞：千手觀音；創作；表演
ABSTRACT
The old cultural history of china for five thousand years leaves a great deal of cultural resources. Famous choregrapher JiGang Zhang creates the dance named "a god with thousand hands" using the GuanYin image of Buddhism culture win the fondness of the world audiences .
The GuanYin with Thousand hands is contrasted wuth JiGang Zhangs other dance work , and at the same time the difference from JinRong Gaos dance and the visual enjuyness which is taken by the performance of the deaf and dunp actors are analyzed by vieusing the creation and performance of dances in this thesis.
Dance is different from other perforned forms , because it is the most natural and ocular expression by body languages. The audiences is shocked by the perfomance of the deaf and dump actors . The GuanYin with Thousand Hands is not only a dance, but also a greater powerful force to dance art. It cerats a new road for dance development from now on , and the quality and situation of the chinese dance art is rised to a higher lecel.
Key words: a god with thousand hands; Creation; Performance
