論《聊齋志異》中的女性

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摘   要

蒲松齡坎坷的1生和特殊的生活經歷對他的文學創作有著重大的影響,而科場的失意和生活的貧困,更使他在思想上對科舉制度的腐朽、封建政治制度的黑暗有深刻的認識和體會,他常常處於憤懣、無聊之中。因此,他借創作來抒情,尋求心理慰藉,其中女性形象恰恰充當了他的理想載體,飽含了他在人生失意後被壓抑的`某些慾望、動機和理想。他的《聊齋志異》是1部獨具特色的文言短篇小說集,作為我國古代文言短篇小說的顛峰之作。《聊齋志異》為我們塑造了1大批光彩照人的女性形象。為了進1步瞭解古代女性的生活,我把這些命運不同,形態各異的女性分為4類:1類是往返於幽冥仙界的花妖狐魅,精靈鬼怪;1類是平凡現實生活中的世俗女子;1類是掙脫封建禮教的叛逆者;另1類則是超拔鬚眉之上的偉大女性。蒲松齡婦女形象的描述反映出她們的愛情、婚姻、友誼和幸福生活,同時也揭示了封建社會婦女愛情道路的坎坷、地位的低下。因此,作者對她們寄予深深的同情,並讚揚了她們敢於反抗封建、勇於鬥爭的精神。
    關鍵詞:蒲松齡;聊齋志異;婦女形象;反封建禮教;分析研究


ABSTRACT

    As one of the most famous novelists in Chinese classica litrature, Pu Songling lived a life of trepidations and dashed hopes. His frustrations influenced his writing a great his lifetime,nothing but liteary creation could console his disgruntled ing his short stories,we can easily find the female images played an important role in re-establishing his ideal life as well as relieving his stress and the most famous collection of short stories in Chinese classical literature,the book present us varions radiant female paper tends to presont four types of female images from the first type is the images with superpower spirits,travelling to an fro detween netherworld and earthlyworld. The secong type is the common females in ordainary the third one is the against the feudal ethical last type is about those great women who surpass the males in their wits and wisdoms.
    Key words: Pu Songling; Ghost Stories; female imge; antifeudal ethics; Analytical research

 

 

論《聊齋志異》中的女性