摘 要
音樂交叉學科逐漸成為音樂學研究中的熱點之1。各個音樂院校不再單純地拘泥於縱向研究音樂本身，而是將它作為1門學以致用的學科與其他相關學科融會貫通。比如我們熟知的音樂美學、音樂治療學、音樂批評學都在專業性的基礎中尋求更大的綜合效應。本文將從1個悄然興起的領域——音樂編輯學中來探討音樂交叉學科的前景。目前，音樂編輯學尚未形成系統的方法和理論。但是豐富的實踐運用，材料的充裕為音樂編輯學的.研究提供了厚實的基礎。同時，培養這些將音樂滲透於其他學科中的音樂型人才，也必將會給音樂市場鋪開更廣闊的領域，為引導人們運作於社會實踐與發展提供了1個廣博的理論參照系。
關鍵詞：編輯學；音樂編輯學；音樂交叉學科
ABSTRACT
Cross discipline of the music becomes one of the focuses in musicology research gradually. Each music universities and colleges no longer adhere rigidly to the longitudinal research music simply, but regard it as discipline and other relevant disciplines made practical use of in one to make a comprehensive study . For example music aesthetics, music therapeutics, music criticism that we know very well study. Seek loud comprehensive effect among professional foundation. This text will be from a field of rising quietly－Music Redactology come, probe into music prospect of cross discipline study. At present, study without forming systematic method and theory yet about the music editor. But the abundant practice was used. The material has offered the abundant foundation for research that the music editor studies abundantly. Meanwhile, train these to permeate music the music type talents in other disciplines, must spread out broader field for the market of music too. Offer a wide theory reference system for guiding peoples operation in social work and development.
Key words: Redactology; Music redactology; Cross discipline of the music
目 錄
摘要……………………………………………………………………………Ⅰ
Abstract…………………………………………………………………………Ⅱ
緒論……………………………………………………………………………1
1、編輯學與音樂編輯學的概況………………………………………………1
1. 簡述編輯學……………………………………………………………1
2. 音樂編輯的實質………………………………………………………2
3. 音樂編輯學的簡介……………………………………………………3
2、以音樂編輯學為主導談音樂交叉學科……………………………………4
3、音樂交叉學科的展望………………………………………………………6
1. 熟練音樂學基礎知識，逐步掌握與之貫通的某學科專業知識………6
2. 要培養音樂交叉學科的實踐能力……………………………………7
結論……………………………………………………………………………8
參考文獻………………………………………………………………………9
致謝……………………………………………………………………………10
包括：畢業論文、開題報告、任務書、中期檢查表
