摘 要
中華民族幾千年的文明程序孕育了10分豐富的傳統音樂文化遺產。古詩詞音樂產生於中華民族悠久的文化藝術背景,它是1種源於詩詞藝術的文人音樂,更是1種集吟誦和歌曲演唱於1體的高品位聲樂表現藝術。高度集中地反映了我國古代社會音樂生活的風貌。然而,在210世紀以後,我國具有千年以上歷史的古典詩詞音樂發生了1系列的嬗變,54運動以來,西學東漸,國學漸次處於弱勢地位。詩、樂1體的`傳統亦漸行漸遠,近乎成為1門絕學,從而使得中國傳統音樂文化的主導地位受到了嚴重的衝擊。恢復、繼承和發展自身音樂文化已越來越受到各國專家學者的重視。對於古典詩詞音樂作為1種非物質文化遺產的人文價值的再發現也是1種極大的需要。
關鍵詞：吟誦音樂；古典詩詞歌曲；詩樂1體化；傳承；發展
ABSTRACT
China with its long history of civilization is abundart in traditional music heritage of culture. The acient poesy music evolues from Chinese history ofculture and artistic background, which was a music for acient scholars. And it even was an academic kind of music in corperating chanting and singing and displayed colourful ancient life. After twentith century, however, the acient poesy music experienced a weries of changes and the May Fourth Movement made it possible that western science flowrish and our national literature gradually receding from leading position. The combination of peom and music faced a depression and almost went to an end, thus weriously affected and damaged China’s own music. Now more and more experts in various countries pay much attention to the resumation, inheritation anddevelopment of their traditional music. It is quite necessary to explone our classical peom music as a non-material heritage with humane value.
Key words: Recital music; classical poem-adapted songs; combination of poem and music; inkeritage; development
